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I was born at
an early age in a Boston hospital. I don’t recall my birth, but
accept it as truth since it appears on my birth certificate, I’m
here, and my parents have assured me it’s the truth. I have to
assume that’s when and how I arrived.
I grew up in
North Quincy, Massachusetts, and went through the public school
system. I wasn’t a student who stood out. If my English teacher in
the ninth grade had not told me to put down a copy of Hemingway’s
short stories (I had taken it off a bookrack during study class)
because I was “too stupid to understand it,” I might never have
wanted to read. Thank you Mr. Carlin! In my senior year, I talked
my creative writing teacher, Mrs. Shapiro, into getting the school
to allow us to publish a creative writing magazine, Counterpoint.
Mr. Carlin barely passed me, Mrs. Shapiro gave me A’s! Go figure!
While in high
school I worked as a stock boy at the Orbit Department Store in
Dorchester, until I tried to help unionize the workers. I was
fired for this. The Retail Clerks Union found a stock-boy position
for me in Filenes’, an upscale department store in downtown
Boston.
When I was
sixteen, Jack Scanlon, a family friend, helped get me the
midnight-to-eight weekend office boy job at the Record-American,
Sunday Advertiser, a Hearst Newspaper. Those two-nights a week
began my education into the world of journalism and politics. What
I learned from the men and women on the Record and Advertiser was
more important than anything I learned in college. I was fortunate
to enter the world of journalism in its gritty days, when
reporters came up the ranks from office boy, to cub, to reporter.
My early years were like a black-and-white noir movie, no kidding.
There’s a book in those early adventures, and someday I expect to
write it.
College taught
me how you were supposed to put a news story together, but nights
as a copy boy taught me how to dig up the facts and write the
story. There were no Google searches back then, it was legwork!
Those days are long gone, when the police, and even politicians,
had an understanding with journalists of how life worked.
Journalism, nor the public, is not better off because those days
have been lost. After high school, the paper put me through an
editorial apprenticeship.
Because of my
volunteer work at the Cardinal Cushing Center for the Spanish
Speaking, I received a summer scholarship to the University of
Puerto Rico’s “Social Welfare Workshop.” I spent that summer
living at the Normandy Hotel in Old San Juan, and learning about
the cultural and historical aspect of Puerto Rican life. It was an
adventure and I wrote a couple of freelance pieces on Puerto
Ricans in Boston, for the San Juan Star. Years later I learned
that Hunter S. Thompson also wrote for the paper – long before I
got there.
I left Boston
and moved to Los Angeles, where I worked in TV and freelanced as a
photojournalist for years. I served one year on the board of
directors of the Press Photographers Association of Greater Los
Angeles. I also married, fathered twin daughters (Seanan and Chela),
and divorced, while in LA.
When I got fed
up with Hollyweird, I moved to Key West, where I went to work for
Bernard Hunt at the daily Key West Citizen. Bernie and copy editor
Van Trotter forced me into the business editor/writer position
and I don’t think I ever had the decency to thank them. The
position gave me a unique opportunity to witness the inner
workings of business in Key West. I spent more than five years at
the Citizen.
I have spent
another five years as the public information officer for the City
of Key West. Add the inner workings of Key West politics to my
knowledge of local business, and you could say I have an
inimitable opinion and understanding of the workings of my island
home. Education, I discovered long ago, comes with living life,
not necessarily from the hallowed halls of universities. My ten
plus years in Key West has been educational, in many ways. My
mystery novel is fiction, but the city that looms in the
background, the bars and restaurants and many of the characters
that run through its pages are taken from real life. If you have
visited the island, you will know this. If not, come on down and
see for yourself.
I moved to Key
West to sail and today I own a 1973, 36-foot Amel sloop. With
friends, I have sailed to Cuba four times and flown from Miami
once.
Much
of what I learned about Cuba is in my novel. While I wait for a
political change in both the US and Cuba, I still sail the waters
off Key West, expecting the day I can sail that 90-miles south
will arrive soon. I would love to set a whole novel in and around
Havana.
In my writing,
I have tried to be faithful to the island and its businesses. I
should remind you that my story is fiction, because crime as I
write it does not happen in Key West. We are a long way from the
mayhem and gangs of Miami, but with a vivid imagination, I have
been able to create the situations needed for a political-murder
mystery.
Hope to see you
at the Hog’s Breath or Schooner Wharf one of these days.
Don’t pee into
the wind.
Michael Haskins
Key West, Florida
February 2007
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